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Chapter 33 - Stage Technology
- from V - Music and Performance
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- Book:
- Wagner in Context
- Published online:
- 14 March 2024
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- 14 March 2024, pp 331-339
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Richard Wagner, Das Liebesverbot Christopher Maltman, bar, Peter Lodahl, ten, Ilker Arcayürek, ten, David Alegret, ten, David Jerusalem, bass, Manuela Uhl, sop, María Miró, sop, Ante Jerkunica, bass, Isaac Galán, bar, María Hinojosa, sop, Francisco Vas, ten Chorus and Orchestra of the Teatro Real, Madrid, Ivor Bolton, cond. Kasper Holten, stage director Opus Arte 1191, 2017 (1 DVD: 160 minutes), $32.50
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- Journal:
- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
- Published online by Cambridge University Press:
- 25 October 2021, pp. 191-195
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Compromising Wagnerism? Egk, ‘Dein Hähnchen bin ich’ (Peer Gynt), Peer Gynt (1938), Act II
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- Journal:
- Cambridge Opera Journal / Volume 28 / Issue 2 / July 2016
- Published online by Cambridge University Press:
- 28 September 2016, pp. 255-261
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- July 2016
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3 - Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography
- from Part I - The age of Beethoven and Rossini?
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- Book:
- The Invention of Beethoven and Rossini
- Published online:
- 05 December 2013
- Print publication:
- 07 November 2013, pp 66-95
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Contributors
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- Book:
- The Invention of Beethoven and Rossini
- Published online:
- 05 December 2013
- Print publication:
- 07 November 2013, pp ix-xi
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Voices from beyond: Verdi's Don Carlos and the modern stage
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- Journal:
- Cambridge Opera Journal / Volume 18 / Issue 2 / July 2006
- Published online by Cambridge University Press:
- 18 January 2007, pp. 151-179
- Print publication:
- July 2006
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